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The Breadwinner: A Likable Yet Essential Family Comedy

&NewLine;<p class&equals;"wp-block-paragraph">Matt Zoller Seitz is among the film&&num;8217&semi;s harshest detractors&period; He argues it simply reheats the 1980s stay-at-home-dad formula with a few modern props&period; He notes Bargatze can be funny within the limits of his squeaky-clean style&period;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<p class&equals;"wp-block-paragraph">Additionally&comma; he concedes Mandy Moore brings warmth to an underwritten part&period; Breadwinner critics may note the rivalry subplot with Kumail Nanjiani&&num;8217&semi;s car salesman pays off with a big laugh&period; However&comma; the overall assessment remains that the film relies on reheated formulas&period;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<p class&equals;"wp-block-paragraph">His deeper problem is what the comedy runs on&colon; the idea that dads are helpless around the house&period; He feels this mindset excuses lazy behavior rather than poking fun at it&period; Moreover&comma; he thinks wide-screen framing clashes with what plays like a sitcom&comma; and the tidy&comma; all-is-forgiven finale left him cold&period; Matt Zoller Seitz writes for RogerEbert&period;com&period;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<hr class&equals;"wp-block-separator has-alpha-channel-opacity"&sol;>&NewLine;&NewLine;&NewLine;&NewLine;<p class&equals;"wp-block-paragraph">William Bibbiani finds little here that hasn&&num;8217&semi;t been done many times before&period;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<p class&equals;"wp-block-paragraph">Moreover&comma; going back to classic sitcoms&comma; the material repeats&period;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<p class&equals;"wp-block-paragraph">The gags are corny and easy to see coming&period;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<p class&equals;"wp-block-paragraph">The central lesson that running a household is hard work feels obvious&period;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<p class&equals;"wp-block-paragraph">He credits the film as harmless and family-safe&comma; noting the hero cheers on his wife&&num;8217&semi;s ambitions instead of resenting them&period; However&comma; he argues this leaves the story without bite&comma; since the dad isn&&num;8217&semi;t flawed enough to earn his comeuppance&period; He also wonders why such an old-fashioned premise got a big summer launch&period; William Bibbiani writes for TheWrap&period;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<hr class&equals;"wp-block-separator has-alpha-channel-opacity"&sol;>&NewLine;&NewLine;&NewLine;&NewLine;<p class&equals;"wp-block-paragraph">Tessa Smith offers the friendliest take&comma; seeing the movie as an easygoing&comma; relatable comedy that parents and kids can enjoy together&period; She credits Bargatze&&num;8217&semi;s stand-up instincts and timing for carrying it&comma; with Moore as a steady counterweight and the three young actors convincingly passing as real siblings&period;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<p class&equals;"wp-block-paragraph">Will Forte and Kumail Nanjiani add extra laughs&period; Additionally&comma; her reservations are minor&period; The setup is familiar&comma; the plot rarely surprises&comma; and a few jokes target grown-ups rather than children&comma; Tessa Smith&comma; Moviefone&period;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<hr class&equals;"wp-block-separator has-alpha-channel-opacity"&sol;>&NewLine;&NewLine;&NewLine;&NewLine;<p class&equals;"wp-block-paragraph">In short&comma; critics broadly agree that Bargatze is likable and the film is gentle enough for a family movie night&period;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<p class&equals;"wp-block-paragraph">However&comma; its role-reversal premise is badly dated&comma; and Breadwinner audiences may find the jokes rarely rise above sitcom level&period;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<p class&equals;"wp-block-paragraph">If you&&num;8217&semi;re not already a Bargatze fan seeking light fare&comma; the verdict leans toward skip&period;<&sol;p>&NewLine;

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